Thursday, April 2, 2020

Samsung Galaxy S20 Ultra audio review

The Latin word “ultra” translates as “going beyond limits”— and when it comes to Samsung’s latest smartphone, it’s a well-deserved suffix: the Galaxy S20 Ultra boasts a groundbreaking 108-megapixel main rear camera, a whopping 6.9-inch 120 Hz AMOLED display, a huge 5000 mAh battery, and an Exynos 990 chipset (Qualcomm Snapdragon 865 in the USA) with 12 GB of RAM.

Predictably, this magnum opus also benefits from AKG’s expertise in the audio field, along with Dolby Atmos certification, Bluetooth 5.0 (which allows users to stream audio to two wireless devices at the same time), and stereo speakers. (However, wired listeners, beware: the Galaxy S20 Ultra offers no headphone jack, and no USB-C adapter either.)

Key audio specifications:

• AKG earphones included
• Audio Zoom
• Dolby Atmos
• Bluetooth 5.0
• No headphone jack, USB-C adapter not included

About DXOMARK Audio tests: For scoring and analysis in our smartphone audio reviews, DXOMARK engineers perform a variety of objective tests and undertake more than 20 hours of perceptual evaluation under controlled lab conditions. This article highlights the most important results of our testing. Note that we evaluate both Playback and Recording using only the device’s built-in hardware and default apps. (For more details about our Playback protocol, click here; for more details about our Recording protocol, click here.)

Test summary

69
audio
71
playback
65
recording

With an overall score of 69, the Samsung Galaxy S20 Ultra manages to hold its own through our rigorous DXOMARK Audio test suite. In Playback testing, the midrange frequencies (mids) and high-ends offer precision and clarity, which contribute to accurate distance rendering, precise localizability, and good wideness. Audio played back through the speakers benefits from good maximum volume, and artifacts are very well controlled. Despite being decent, however, low-end extension could use a boost, as it impairs tonal balance as well as bass precision. Finally, the balance is slightly off-center, and at minimum volumes, high dynamic content lacks intelligibility.

Recording a life video with the Samsung Galaxy S20 Ultra

As for microphone performance, the main issue is the lack of high-end extension in selfie videos, which impairs the distance rendering, localizability, and attack of recorded audio, as well as blurring the envelope and making voices sound nasal and backgrounds less natural. Furthermore, in high SPL (Sound Pressure Level) scenarios, an aggressive low-end compression impacts punch and generates audible temporal artifacts. In all other use cases, the overall timbre performance is fairly good; dynamics are decently captured (average SNR ratio, well-preserved plosives in life videos and memos); loudness is good in most use cases (except for indoor scenarios); and few artifacts are noticeable. 

Sub-scores explained

The DXOMARK Audio overall score of 69 for the Samsung Galaxy S20 Ultra is derived from its Playback and Recording scores and their respective sub-scores. In this section, we’ll take a closer look at these audio quality sub-scores and explain what they mean for the user.

Playback

Timbre (64)

DXOMARK timbre tests measure how well a phone reproduces sound across the audible tonal range and takes into account bass, midrange, treble, tonal balance, and volume dependency.

When playing games, mids and high-ends become slightly aggressive.

The Galaxy S20 Ultra offers a fairly good and consistent timbre performance across all music genres, and fares even better in movies. The overall tonal balance highlights clarity and precision in mids and high-ends.

Music playback frequency response

That said, as shown in the graph above, bass frequencies could be a little louder: up to 500 Hz, the response is clearly below that of Apple’s iPhone 11 Pro Max and Xiaomi’s Mi 10 Pro. Also, when playing games, mids and high-ends become slightly too aggressive.

Dynamics (67)

Our Dynamics tests measure how well a device reproduces the energy level of a sound source.

Predictably, the lack of low-end extension undermines the phone’s bass precision potential. Apart from that, the dynamic performance holds its head high: the clarity of timbre sharpens the attack, especially at nominal volumes, and dynamics are well preserved, even at soft volumes.

Spatial (68)

The Ultra S20 has above-average spatial rendering of sound sources, ensuring that audio played back through its stereo speakers lets the listener precisely place instruments and other sound sources (localizability), and delivers good wideness. The timbre’s clarity also means that distance is accurately reproduced, thus offering a good feeling of proximity. The only cloud in the picture is the slightly off-center perception of sound sources.

Distance of the sound source is accurately reproduced.
Localizability of various instruments and other sound sources is precise.

Volume (67)

Our Volume tests measure both the overall loudness a device is able to produce and how smoothly volume increases and decreases based on user input.

Music volume consistency

Maximum playback volume is good, and incrementation levels are fairly consistent. By contrast, at minimum volumes, highly dynamic mixes (that is, a high ratio of amplitude from the loudest to the lowest sound) lack intelligibility.

Hip-Hop Classical
73.7 dBA 69.1 dBA

Artifacts (88)

Our Artifacts tests measure how much source audio is distorted when played back through a device’s speaker. Distortion can occur both because of sound processing in the device and because of the quality of the speakers.

When it comes to controlling undesirable sounds, Samsung’s latest flagship ranks as second to the best of all the phones we have tested to date. No noise or temporal artifacts such as compression are audible at nominal or maximum volumes. Consequently, the clarity of loud content is well preserved. Distortion, however, shows its true colors at maximum volumes on low-end frequencies, especially when playing games and with synthetic signals.

Very few artifacts are noticeable…
… except for some bass distortion at maximum volumes.

Recording

Timbre (71)

While the S20 Ultra’s timbre performance is above average when it comes to recording life videos, it is impaired by a lack of bass extension when recording in loud environments. When recording selfie videos, treble is lacking, which results in nasal voices. 

Life video frequency response

By contrast, in all other use cases, low-end response is a little excessive, making voices sound muffled.

Dynamics (62)

The Galaxy S20 Ultra does a reasonable job of capturing dynamics, with an average SNR (signal-to-noise) ratio in all simulated use cases. Good high-end extension in life videos and when using the memo app ensure that the plosives (sounds such as “p” and “b”) are well shaped.

When recording selfie videos, speech clarity and attack are impaired by the lack of tonal balance.

On the other hand, when filming in loud environments, an aggressive low-end compression dulls the punch. Additionally, when using the selfie camera, the shape of the sound envelope is impaired by the lack of treble, which along with the distance issue mentioned in the next paragraph, lowers speech intelligibility and attack precision. 

Spatial (52)

While the Galaxy S20 Ultra delivers an average performance for wideness and fairly good localizability in life videos and meeting room situations, localization and distance in selfie video recordings are once again impacted by the lack of high-end frequencies. Moreover, the memo app unfortunately records only in mono.

Volume (72)

We test for both the nominal volume and the maximum level. Audio file loudness is good in most use cases, except in meeting room situations. In indoor scenarios, the overall loudness is noticeably lower.

When recording a meeting, the loudness is lower than expected.

Here are a few of our measurements; as a reference, we expect loudness levels to be above -24 LUFS for recorded content:

Meeting Life Video Selfie Video Memo
-28 LUFS -20.7 LUFS -20.4 LUFS -22.9 LUFS

Artifacts (74)

In quiet environments, the S20 Ultra background recordings are very clean. In high SPL scenarios, apart from excessive bass compression and occasional distortion, few artifacts are noticeable.

In quiet environments, background sound is clean.
Microphones are easily occluded when filming a selfie video or recording a memo.

Regrettably, the microphones are easy to occlude, particularly when filming a selfie video or recording a memo. When the user’s hands obstruct the receivers, a noise-cancelling algorithm kicks in, introducing spectral artifacts on voices.

Background (37)

The S20 Ultra does a good job of preserving the original tonal balance of the recorded background in life videos. However, when recording a selfie video, the lack of high-end is once again problematic, resulting in an unnatural background.

Conclusion

If the Samsung Galaxy S20 Ultra doesn’t outshine its strongest competitors in the audio area, it still delivers a very consistent, above-average performance. Volume is good, artifacts are well controlled, dynamics are generally respected, and timbre performance is good, whether in playback or recording. That all said, the memo app records in mono, and if you’re a fanatical selfie videographer, note that selfie videos suffer from a lack of treble, which impairs numerous audio attributes (tonal balance, attack, speech clarity, distance, natural background rendering). 

All in all, considering the phone’s spectacular spec sheet (and price), it is safe to assume that audio, despite its above-average performance, wasn’t Samsung’s top priority when designing its latest flagship phone.

Playback

Pros

• Above-average spatial performance
• Good dynamic performance
• Few artifacts overall, even at maximum volumes

Cons

• Lack of low-end in tonal balance, which also impairs bass precision
Dynamic content unintelligible at minimum volumes

Recording

Pros

• Good timbre performance
• Average spatial performance
• Few artifacts overall

Cons

Memo app records in mono only
Poor spatial and timbral performance when recording selfie videos
Microphones are easy to occlude

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